
test of thrown pots
Our work has us constantly developing new ideas in ceramic forms such as tableware, decorative ceramics and jewellery. We have a small range of ceramics that are produced in limited runs at various times throughout the year. We also work towards exhibitions through the year and are hoping to build on our production skills as we work in our small studio in Sydney.
SO I’ve been back in oz about 3 months now and I’m starting to get a handle on what I can and can’t do in my home studio which is still growing. For the most part I’ve been working with my electric kiln that can only fire up to the mid-1100s.
Slip cast forms
Dealing with the constraints of a workspace and materials available to me is why I am involved with ceramics. Particularly I’ve found that the cycle of problem solving and developing new projects over time is really inspiring to me. I try not to look at the limitations I have as a hindrance but rather as a way of pushing me to do things differently.
I’ve written earlier about my inspirations and which artists I look up to and the Manly Art Gallery contains a few of these people. I live relatively nearby the Gallery and enjoy heading in to check on the collection as it does change around from time to time. I’m especially fond of how the collection spans over several decades and I find it interesting to compare works of artists like Les Blakebrough through their older and new works on display.
Decals on found plates
So as I have pointed out before my work is driven by my interest in clay and how I can develop and broaden my skills over time. Hopefully over time I can master one or two techniques but I’m in no rush to be a one trick potter. I figure I’ve got a few decades ahead of me to work on my skills considering I’ve only just finished my first degree. Personally I feel the biggest mistake we can make as potters is finding the one thing we’re good at and stick with it forever. Hearing the great talks down as the ANU’s Materiel Matters symposium recently confirmed this for me. Seeing examples of how artist are still growing at all stages of their career was inspiring.
Over the past few years I’ve been working on my slip casting techniques and developing several forms. Throwing pots as much as possible to develop my skills. As well as having a play with using decals. So the work I’m showing in this post is an example of each. What I think my work shows is how many possibilities there are to discover for a new potter trying to build a repertoire. I’ve previously completed an instillation which deals with the issue of choice which a ceramicist faces. We can do so many things with our chosen medium and my work as a new potter is involved with discovering these possibilities.
Thanks for reading, Owen Carpenter
So this past couple of weeks the semester has been coming to a close, this means tying up all the loose ends in the studio, final critique and the big clean up. I’ve been lucky that whilst studying over here (university of Kansas) my lab fee has provided me with as much clay as I can make! So I figured I should take the opportunity to work on my throwing. I really enjoy throwing bowls and wanted to improve on my technique and work on keeping the weight off. I’m working towards having a nice consistent couple of forms I can repeat.
This was my daily mission and I’m happy with most of the results. I’ve tried to really recycle anything that wasn’t up to par in the raw stage and fire only forms I was happy with. I’m not a fan of firing all of your work as it’s a great waste to fire work just for the sake of it. After helping with the studio clean up this week I am more convinced than ever that a studio where beginners are working can really create some unnecessary bisque fired landfill.
Anyways so here are some photos of the bowls I was most happy with over the semester as well as some slip cast plates and other shapes I’ve been working on…
Next week I should have some video of my final critique/tower balancing act/breaking pots that I did a couple of days ago,